Susanna Hood
Tiohtià:ke*-based performer, maker and teacher in both dance and music, Susanna Hood has devoted her career to synthesizing voice and movement within her dynamic practice, creating intimate, sensual and raw performances both in dance-theatre contexts as well as in the context of improvised music.
Particularly in the last decade, she has sought a total integration of the dance and music aspects of her practice, influenced by her internal, holistic experience of moving, sounding, and listening. Something she refers to as embodied music: the experience of movement as music and of sound/music as movement, where the two forms, in dialogue, remain simultaneously distinct and interchangeable, to create a listener/viewer experience that blurs the lines between what is heard and what is seen. Her most recent creations (Music Is…, 2016, and Impossibly Happy, 2019) have been driven by her own musical compositions arranging voices, instruments and movement.
*commonly known as Montreal
Tiohtià:ke*-based performer, maker and teacher in both dance and music, Susanna Hood has devoted her career to synthesizing voice and movement within her dynamic practice, creating intimate, sensual and raw performances both in dance-theatre contexts as well as in the context of improvised music.
Particularly in the last decade, she has sought a total integration of the dance and music aspects of her practice, influenced by her internal, holistic experience of moving, sounding, and listening. Something she refers to as embodied music: the experience of movement as music and of sound/music as movement, where the two forms, in dialogue, remain simultaneously distinct and interchangeable, to create a listener/viewer experience that blurs the lines between what is heard and what is seen. Her most recent creations (Music Is…, 2016, and Impossibly Happy, 2019) have been driven by her own musical compositions arranging voices, instruments and movement.
*commonly known as Montreal
