Sarah Davachi
Sarah Davachi is a Canadian composer, performer and researcher based in Los Angeles, California. Her work is concerned with the close intricacies of timbral and temporal space, utilizing extended durations and considered harmonic structures that emphasize gradual variations in texture, overtone complexity, psychoacoustic phenomena, and tuning and intonation. Her compositions span solo, chamber ensemble, and acousmatic formats, incorporating a wide range of acoustic and electronic instrumentation. Similarly informed by minimalist and long-form tenets, early music concepts of form, affect, and intervallic harmony, as well as experimental production practices of the electroacoustic studio environment, her sound is an intimate and patient experience that lessens perceptions of the familiar and the distant. Davachi is currently a doctoral candidate in musicology at UCLA, focusing on timbre, phenomenology, and critical organology.
Sarah Davachi is a Canadian composer, performer and researcher based in Los Angeles, California. Her work is concerned with the close intricacies of timbral and temporal space, utilizing extended durations and considered harmonic structures that emphasize gradual variations in texture, overtone complexity, psychoacoustic phenomena, and tuning and intonation. Her compositions span solo, chamber ensemble, and acousmatic formats, incorporating a wide range of acoustic and electronic instrumentation. Similarly informed by minimalist and long-form tenets, early music concepts of form, affect, and intervallic harmony, as well as experimental production practices of the electroacoustic studio environment, her sound is an intimate and patient experience that lessens perceptions of the familiar and the distant. Davachi is currently a doctoral candidate in musicology at UCLA, focusing on timbre, phenomenology, and critical organology.
