Jason Doell & Naomi McCarroll-Butler
Naomi McCarroll-Butler plays woodwinds, jaw harps and homemade instruments. She is interested in the creation of trance environments through drone, repetition, and fluid tuning systems. Her music is rooted in improvisation and the free jazz tradition, cyclical overblown patterns, trad music of the british isles and a deep love of the drone. An active collaborator, Naomi plays with Jeremy Dutcher, chik white, Beverly Glenn Copeland, Pinksnail, Ensemble Déplacer d'l'Air, Colin Fisher, Liberté-Anne Lymberiou, and is a student of modal music with Labyrinth Ensemble.
Jason Doell (he/him/his) works in sound and other time-based mediums. Based in Tkarón:to/Toronto, his works primarily focuses on site/context-specific sound-oriented installations and performances employing interactive computational tools such as live coding, and self-developed software and electronics. Jason’s work traces the edges of sense-making, and explores the thresholds of contextual coherence, often straddling composed/improvised work and signal chain manipulation. Jason has been commissioned and has had his work featured by many international institutions, including MaerzMusik (DE), Sound and Music (UK), Elektronmusikstudion (SE), the Banff Centre for Arts and Creativity (CA), among many others.
Naomi McCarroll-Butler plays woodwinds, jaw harps and homemade instruments. She is interested in the creation of trance environments through drone, repetition, and fluid tuning systems. Her music is rooted in improvisation and the free jazz tradition, cyclical overblown patterns, trad music of the british isles and a deep love of the drone. An active collaborator, Naomi plays with Jeremy Dutcher, chik white, Beverly Glenn Copeland, Pinksnail, Ensemble Déplacer d'l'Air, Colin Fisher, Liberté-Anne Lymberiou, and is a student of modal music with Labyrinth Ensemble.
Jason Doell (he/him/his) works in sound and other time-based mediums. Based in Tkarón:to/Toronto, his works primarily focuses on site/context-specific sound-oriented installations and performances employing interactive computational tools such as live coding, and self-developed software and electronics. Jason’s work traces the edges of sense-making, and explores the thresholds of contextual coherence, often straddling composed/improvised work and signal chain manipulation. Jason has been commissioned and has had his work featured by many international institutions, including MaerzMusik (DE), Sound and Music (UK), Elektronmusikstudion (SE), the Banff Centre for Arts and Creativity (CA), among many others.
