NOIZU_IHAN
Consisting of two Japanese words 'NOIZU' (noise) and 'IHAN' (transgression), NOIZU_IHAN could be translated as noisy transgression or transgressing noise.
Three members of TEKE::TEKE form an outgrowth of disturbing noise. We are a band that is mainly inspired by Japanese noise but also by free jazz, punk and electroacoustic music. We break all boundaries, including those of our materiality. NOIZU_IHAN seeks to reappropriate the codes of noise music. The aim of this project is to marry our different ways of making noise.
Ian Lettre (TEKE::TEKE) //drums, daxophone, keyboards, machines and voice. Étienne Lebel (TEKE::TEKE, Kutsi Merki, Eyevin Nonet) // trombone-effects, saxophone-effects, modified brass, gaida and vocals.Hidetaka Yoneyama (TEKE::TEKE) // electric guitar, electronic effects, synthesizers, vocals, pliers and motors
Our approach: "Spirit of contradiction":
1) Looking for everything that would not be "NOIZU IHAN".
2) To do the opposite.
3) To go even further by leaving room for instinct.
4) Give substance to the noise.
Consisting of two Japanese words 'NOIZU' (noise) and 'IHAN' (transgression), NOIZU_IHAN could be translated as noisy transgression or transgressing noise.
Three members of TEKE::TEKE form an outgrowth of disturbing noise. We are a band that is mainly inspired by Japanese noise but also by free jazz, punk and electroacoustic music. We break all boundaries, including those of our materiality. NOIZU_IHAN seeks to reappropriate the codes of noise music. The aim of this project is to marry our different ways of making noise.
Ian Lettre (TEKE::TEKE) //drums, daxophone, keyboards, machines and voice. Étienne Lebel (TEKE::TEKE, Kutsi Merki, Eyevin Nonet) // trombone-effects, saxophone-effects, modified brass, gaida and vocals.Hidetaka Yoneyama (TEKE::TEKE) // electric guitar, electronic effects, synthesizers, vocals, pliers and motors
Our approach: "Spirit of contradiction":
1) Looking for everything that would not be "NOIZU IHAN".
2) To do the opposite.
3) To go even further by leaving room for instinct.
4) Give substance to the noise.
