Chris Corsano
Chris Corsano is a drummer who has been working at the intersections of free improvisation, avant-rock, and experimental music since the late '90s. He's a rim-batterer of choice for some of the greatest contemporary purveyors of "jazz" (Joe McPhee, Paul Flaherty, Mette Rasmussen) and "rock" (Sir Richard Bishop, Bill Orcutt, Jim O'Rourke), as well as artists beyond categorization (Björk for her Volta album and world tour, Michael Flower, Okkyung Lee). Appearing on over 150 albums and touring in an ultra-wide array of collaborations, Corsano has developed a highly personal musical language through ecstatic free improvisation, extended percussion techniques, and an innovative approach to the drum kit that includes resonating drum heads with bowed strings and circular-breathed reeds. He's been called "one of the world's great drummers" by The Guardian, "a peripatetic ace of the avant-garde" by The New York Times, and "arguably the most riotously energetic and creative drummer in contemporary free jazz" by Wire Magazine.
Chris Corsano is a drummer who has been working at the intersections of free improvisation, avant-rock, and experimental music since the late '90s. He's a rim-batterer of choice for some of the greatest contemporary purveyors of "jazz" (Joe McPhee, Paul Flaherty, Mette Rasmussen) and "rock" (Sir Richard Bishop, Bill Orcutt, Jim O'Rourke), as well as artists beyond categorization (Björk for her Volta album and world tour, Michael Flower, Okkyung Lee). Appearing on over 150 albums and touring in an ultra-wide array of collaborations, Corsano has developed a highly personal musical language through ecstatic free improvisation, extended percussion techniques, and an innovative approach to the drum kit that includes resonating drum heads with bowed strings and circular-breathed reeds. He's been called "one of the world's great drummers" by The Guardian, "a peripatetic ace of the avant-garde" by The New York Times, and "arguably the most riotously energetic and creative drummer in contemporary free jazz" by Wire Magazine.
